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this seems to have made scientists a bit peckish , if not downright puckish . |
This is a list of venues used for professional baseball in the region of Florida called Tampa Bay. It includes Tampa, St. Petersburg, Clearwater and neighboring cities. The information shown is a summary of the information contained in the references listed.
(name unknown)
Home of: Tampa, Florida State League (1892 only)
Plant Field (opened 1899) known as Pepin-Rood Stadium in final years (1971–2002)
Home of – spring training:
Chicago Cubs – National League (1913-16)
Boston Red Sox – American League (1919)
Washington Senators – AL (1920s)
Detroit Tigers – AL (1930s)
Cincinnati Reds – NL (1930-54)
Chicago White Sox – AL (1954)
Home of – minor league and university
Tampa Smokers – Florida State League (1919–1927)
Tampa Smokers – Southeastern League (1928–1930)
Tampa Smokers – West Coast League (1932)
Tampa Smokers – Florida International League (1946–1954)
University of Tampa (1933-36)
Location: Horse race track – on grounds east of North Boulevard and south of Cass Street.
Currently: University of Tampa athletic fields complex
(name unknown) (opened fall 1908)
Home of: St. Petersburg Saints (1908–1911)
Location: "Northeast side of Mirror Lake". Flooded by the expanding lake in 1911. Would have been about Third Avenue North and Sixth Street North.
Symonette Field
Home of: St. Petersburg Saints (1912–1914)
Location: "Tangerine Avenue just west of 40th Street."
Coffee Pot Park a.k.a. Sunshine Park (opened 1914)
Home of – spring training:
St. Louis Browns – AL (1914)
Philadelphia Phillies – NL (1915–1918)
Indianapolis Indians – American Association (1921)
Home of – minor league:
St. Petersburg Saints – Independent (1914–1919), FSL (1920–1928)
Location: St. Petersburg – "The head of Coffee Pot Bayou" – approximately 22nd Avenue North and First Street North (the actual bayou is northeast of that site a few blocks)
Currently: Residential housing.
Moore Field
Home of – spring training:
Indianapolis Indians AA (1921) (sources contradict)
Home of – minor league:
St. Petersburg Saints – Florida State League (1920) (sources contradict)
Location: St. Petersburg – "Fourth Street, Seventh Avenue South".
Clearwater Athletic Field orig. Brooklyn Field
Home of – spring training:
Brooklyn Robins (Dodgers) – NL (1923–1932)
Cleveland Indians – AL (1942)
Philadelphia Phillies – NL (1947–1954)
Home of – minor league (unconfirmed):
Clearwater Pelicans – FSL (1924 – partial season)
Location: Clearwater – Pennsylvania Avenue (west – third base?), Seminole Street (north – left field?), Palmetto Street (south – first base?), Greenwood Avenue (now North Martin Luther King Jr Avenue) (east – right field?) "Home plate was located on Pennsylvania Avenue, which ran south to north along the third base line, near Seminole Street. Left field ran parallel to Palmetto Street, and right field ran parallel to Greenwood Ave. The grandstand was destroyed by fire in April 1956."
Currently: North Greenwood Recreation and Aquatic Complex.
St. Petersburg Athletic Park a.k.a. Waterfront Park (opened 1923)
Home of – spring training:
Boston Braves NL (1921 or 1922–1937)
New York Yankees – AL (1925–1942,1946–1947)
St. Louis Cardinals – NL (1938–1942,1946–1947)
Home of – minor league:
St. Petersburg Saints – Florida State League (1921–1928)
Location: Same as Al Lang Field (see below)
Al Lang Stadium (opened 1947) a.k.a. Al Lang Field
Home of – spring training
New York Yankees – AL (1947–1950, 1952–1961)
St. Louis Cardinals – NL (1947–1997)
New York Giants – NL (1951)
New York Mets – NL (1962–1987)
Baltimore Orioles – AL (1991–1995)
Tampa Bay Rays – AL (1998–2008)
Canada national baseball team (2011–present)
Netherlands national baseball team (2011–present)
Nexen Heroes (spring training) Korea Baseball Organization (2011–present)
Home of – minor league and university
St. Petersburg Saints – Florida International League (1947–1954); Florida State League (1955–1965); St. Petersburg Cardinals – FSL (1965–1997)
St. Petersburg Pelicans – SPBA (1989–1990)
ACC Tournament (1997, 2002)
St. Petersburg Devil Rays – FSL (1998–2000)
C-USA Tournament (2000)
Location: St. Petersburg – Second Avenue Southeast (north – home plate), Bay Shore Drive Southeast and then Tampa Bay (east – left field corner), Fourth Avenue South (south – center field), First Street Southeast (west – right field corner).
Currently: Used for soccer.
Jack Russell Memorial Stadium (1955–2003) org. Jack Russell Field
Home of – spring training:
Philadelphia Phillies – NL (1955–2003)
Home of – minor league:
Clearwater Phillies – FSL (1985–2003)
Location: Clearwater – 800 Phillies Drive (west – third base); Palmetto Street (north – left field), North Jefferson Avenue (east – right field), Seminole Street (south – first base) – one block directly east of the site of Clearwater Athletic Field.
Al Lopez Field (opened 1955)
Home of – spring training
Chicago White Sox – AL (1955–1959)
Cincinnati Reds – NL (1960–1987)
Home of – minor league
Tampa Tarpons – FSL (1957–1988)
Location: Tampa – Northeast quadrant of what is now the Raymond James Stadium complex.
Tropicana Field (opened 1990) previously Florida Suncoast Dome and Thunderdome
Home of:
Tampa Bay Rays – American League (1998–present)
Location: St. Petersburg – 1 Tropicana Drive – Stadium Drive and then Interstate 175 (south), 16th Street South and then Interstate 275 (west), Pinellas Trail and then First Avenue (north), parking lots and then 10th Street South (east). Edge of complex is about 10 block straight west of Al Lang Field.
George M. Steinbrenner Field (opened 1996)
Home of – spring training:
New York Yankees – AL (1996–present)
Home of – minor league:
Tampa Tarpons – FSL (1996–present)
Gulf Coast Yankees – Gulf Coast League (1990–present)
Location: Tampa – 1 Steinbrenner Drive – Immediately northwest of Raymond James Stadium complex, across North Dale Mabry Highway
Bright House Field
Home of – spring training:
Philadelphia Phillies – NL (2004–present)
Home of – minor league:
Clearwater Threshers – FSL (2004–present)
Location: Clearwater – 601 Old Coachman Road – Just east of where Sharky Road T's into Old Coachman Road
See also
Lists of baseball parks
Baseball in the Tampa Bay Area
Sources
Peter Filichia, Professional Baseball Franchises, Facts on File, 1993.
Phil Lowry, Green Cathedrals, several editions.
Michael Benson, Ballparks of North America, McFarland, 1989.
External links
Baseball venues in Florida
Tampa, Florida
Sports venues in Tampa, Florida
Sports venues in St. Petersburg, Florida
Baseball
Sports venues in Pinellas County, Florida
Baseball parks |
reminds me of my harlow , '' he said before sticking the cigarette he was holding back between his lips . |
his grin reappeared . |
Patel Nagar assembly constituency is one of the seventy Delhi assembly constituencies of Delhi in northern India.
Patel Nagar assembly constituency is a part of New Delhi Lok Sabha constituency.
Members of Legislative Assembly
Key
Election results
2020 results
2015 results
2013 results
2008 results
2003 results
1998 results
1993 results
References
Assembly constituencies of Delhi
Delhi Legislative Assembly |
cradling her to his chest , he picked up the phone and called the doctor , and then her parents . |
but it is getting rather late , and i must retire . |
fill it with everything you need . |
`` now arianna do n't do something based on your emotions right now sweetheart . |
she 'd been picking up letters from an antique marble table when his words had hit her . |
the son of a bitch had more than one , too . |
and why did you come dressed like that , if so ? |
i 've always enjoyed show tunes , myself as well ... '' dylan heard janet 's voice beside her , but as she scrolled through the rest of the cave photographs on her computer , she was only half-listening at best . |
and why was her neck so sore ? |
he smoothed a hand over her swollen belly . |
`` sorry , love , ca n't let you do that . |
whitney caught the sly , piercing look that lady eubank passed over clayton , then forgot about it when someone else said , `` there 's a remarkable similarity in your names , mr. westland . |
`` a waste of time . |
his arm straightened , the bones reknitting as he drew upon several days ' worth of health in a brief flash of power . |
yes . |
she 'd finally stopped looking at me like the younger brother . '' |
skyler did n't seem to notice as he put the car in reverse and backed out of the parking space . |
dhs , or nasty ? |
all along the side of the tunnel , now constructed of clay-like earth , were holes which were the doors and windows of very unsophisticated homes . |
it 's hard to remember sometimes ; we 're stronger than the ties that bound us in the beginning . |
Natasha Esch was the president of Wilhelmina Modeling Agency for five years from 1993. She is now an interior designer and the co-founder owner of a shop in Sag Harbor, New York. Since 2010, she has lived in the Hamptons and Park City, Utah, with her husband, Matt Coffin, and their daughter and son.
Early life
Esch was born in Canada, grew up in Germany, attended a boarding school in Switzerland and studied business at Babson College in the USA.
Wilhelmina Modeling Agency
After graduating, at age 21, her father, Horst-Dieter Esch, a German businessman with interests in the construction industry made her president of the modeling agency Wilhelmina Models that he had purchased in 1989 for around 4 million dollars. Over a five-year period, Esch oversaw management of this worldwide $20 million operation with subsidiaries in Los Angeles, Miami, Paris, Munich and Hamburg. Esch wrote the Wilhelmina Guide to Modeling, Wilhelmina's Modeling & Acting Dictionary and Wilhelmina's World of Child Modeling.
Natasha Esch Design Interiors
In 1997, Esch moved to the West Coast where she started her own Los Angeles-based interior design firm, Natasha Esch Design Interiors in 1999. She has bought, developed and sold six high-end residential homes located in the Hamptons, West Hollywood, Bel Air and Malibu, California. Her designs were featured in Elle Décor, House Beautiful, House & Garden and Los Angeles Times Magazine. She was also featured in the book Style and Substance: The Best of Elle Decor.
MONC XIII
In 2010, Esch and her family moved to The Hamptons where, in 2012, she opened MONC XIII, a retail store in Sag Harbor that sells goods for the home sourced from around the world.
MONC XIII has been featured in Goop, Remodelista, Martha Stewart Living, Elle Décor, Architectural Digest, Hamptons Cottages & Gardens, Dan's Hamptons, Hamptons Magazine and Dujour.
References
American interior designers
Living people
People from Suffolk County, New York
American women interior designers
Year of birth missing (living people)
21st-century American women |
he was floating in a sea of nothing-no setting , no home . |
even with the snow to cushion them , the thud of the impact shook through her body . |
i assumed he 'd be back , begging me to listen . |
i ca n't lose her , '' his voice broke again and i saw that his eyes were full of tears . |
`` because i could kiss you for hours . |
the rest , we could figure out later . |
i know enough to know that . |
`` chris , wait ! '' |
what do you think ? |
smile , he told her . |
was a Japanese photographer known for his photographs of still lifes and nudes, and also a writer of practical books about photography.
Fukuda was born on 11 January 1899 in Nakanoseki (later part of Hōfu), Yamaguchi (Japan). He moved to Tokyo in 1920, and worked at Takachiho Seisakujo (later renamed Olympus), where he worked making thermometers and developed an interest in photography, buying a Vest Pocket Kodak. The 1923 Kantō earthquake impelled him to leave the company and move to Kansai.
Fukuda ran a photographic studio in Sakai and Osaka, but this failed. He then worked as an editorial assistant on Hakuyō Fuchikami's periodical Hakuyō. A photograph he took in 1925, shown in an exhibition (titled , Nihon Shashin Bijutsutenrankai) at Daimaru department store (Osaka) and elsewhere, won the Ilford Diamond Prize the following year. Fukuda then worked as a commercial photographer in Sakai and Hiroshima.
Fukuda moved back to Tokyo in 1933, where, influenced by Modernist trends from Europe (particularly Moholy-Nagy), he pursued a successful career as an advertising photographer. (Other than for a year at Hōfu toward the end of the war, Fukuda stayed in Tokyo for the rest of his life.) A series of photographs in Asahi Camera starting in 1936 and including portraits of Setsuko Hara and Takako Irie was very popular, and the next year Fukuda turned this into a book on photographing women that became a best-seller.
After the war, Fukuda published collections of nude studies and more books on photographic technique. He also experimented with color. The value he placed on the expression of beauty rendered his work old fashioned with the postwar wave of realism led by photographers such as Ken Domon, and the trends that followed this. In 1974 he was not even among one hundred living photographers profiled in a Camera Mainichi supplement. However, he contributed one volume (Shōka / Psalm) to the popular series "Sonorama Shashin Sensho" in 1979; in an afterword to this, Akira Hasegawa writes:
There are no photographers of women in Japan even today who have not been influenced by Fukuda in one way or another. Many techniques commonly used today were developed by Fukuda, a fact which has been forgotten.
Fukuda continued working in his old age. He died on 26 December 1991. The estimation of his work has since increased, and it is often anthologized in collections of Modernist and mid-century works. A major exhibition of his work was held in the Yamaguchi Prefectural Museum of Art in 1994.
Works by Fukuda are in the permanent collections of the National Museum of Modern Art, Tokyo, Yokohama Museum of Art, and Yamaguchi Prefectural Museum of Art.
Books by Fukuda
Genzō no jissai (). Asahi Camera Sōsha 14. Tokyo: Asahi Shinbunsha, 1937.
Onna no utsushikata () / Photokunst von Frauen. Tokyo: Ars, 1937. Despite the German-language alternative title, all in Japanese.
Haru no shashin-jutsu (). Tokyo: Ars, 1938.
Watakushi no shashinshū: Sakuga no jissai () / Meine Foto-bilder. Tokyo: Ars, 1938. Despite the German-language alternative title embossed in the cover, all in Japanese. Fifty-eight pages of black and white plates, followed by 84 pages of commentary and advice on photography.
Haru no shashinshū () / Spring Photography. Tokyo: Ars, 1939.
Onna no utsushikata: zoku (). Tokyo: Ars, 1939.
Seibutsu shashin no tsukurikata (). Ars Shashin Bunko 18. Tokyo: Ars, 1939. How to photograph still lifes.
Ginza (, Ginza). Tokyo: Genkōsha, 1941. With an essay by Tama Morita ().
Ushi kau shōgakkō (). Tokyo: Genkōsha, 1941.
Shuppatsu (, Departure). Tokyo: Kōgasō, 1942. A miscellany of photographs: nature, women, still lifes, etc.
Jingu Gaien (). Tokyo: Nihon Shashin Kōgeisha, 1942.
Rafu gotai (). Tokyo: Ivuningusutā-sha, 1946.
Onna no utsushikata (). Tokyo: Seiusha, 1947. A booklet; not the same as the identically titled book published ten years earlier. Photographs of women, clothed and nude.
Hana to rafu to (, Flowers and nude women) / Nude et fleur. Tokyo: Ivuningusutā-sha, 1947. Flowers, nude women, their combination, etc. Despite the alternative title, in Japanese only.
Shashin geijutsu (). Tokyo: Kōgasō, 1949.
Iro to hikari no geijutsu: Fukuda Katsuji tennenshoku shashin sakuhinshū (). Tokyo: Ondorisha, 1951.
Mite wakaru shashin no utsushikata (). Tokyo: Onodorisha, 1951.
Watakushi-tachi no kimono (). Seikatsu Gurabia Sōsho. Tokyo: Ondorisha, 1951.
Ginza (). Tokyo: Ars, 1952.
Onna no utsushikata (). Tokyo: Ars, 1955. Special issue of Camera, July.
Kamera no sekai (). Zusetsu Bunko 32. Tokyo: Kaiseisha, 1957.
Atarashiki miwaku (). Nippon Camera rinji zōkan. Tokyo: Nippon Camera-sha, 1958. Women (mostly nudes).
Kyōto () / Kyoto. Tokyo: Iwasaki Shoten, 1958.
Bi no tabiji (). Tokyo: Futsūsha, 1962.
Shōka () / Psalm. Sonorama Shashin Sensho 19. Tokyo: Asahi Sonorama, 1979. Women (some of them nude), still lifes, and photographs from Fukuda's 1955 travel in Italy. No captions, but with some text in English as well as Japanese.
Shashinka Fukuda Katsuji-ten: Kokō no modanisuto () / Katsuji Fukuda. Yamaguchi: Yamaguchi Prefectural Museum of Art, 1994. Catalogue of a major exhibition of Fukuda's work held at the Yamaguchi Prefectural Museum of Art in 1994.
Other books showing works by Fukuda
Klochko, Deborah, ed. Modern Photography in Japan 1915–1940. San Francisco: The Friends of Photography, 2001. . The plates are not paginated but are alphabetically ordered by photographer. One still life of Fukuda's from 1925 is shown.
Matsumoto Norihiko. (), ed. A Collection of Japanese Photographs 1912–1940. Tokyo: Shashinkosha, 1990. Despite its English-only title, the book is in Japanese only. Plate 18 is a still life by Fukuda from 1925.
Modanizumu no jidai () / The Age of Modernism. Tokyo: Tokyo Metropolitan Museum of Photography, 1995. Catalogue of an exhibition held 1995–96 at the Tokyo Metropolitan Museum of Photography. Three still lifes from 1925 on p. 42, a portrait on p. 74.
Nihon nūdo meisakushū (, Japanese nudes). Camera Mainichi bessatsu. Tokyo: Mainichi Shinbunsha, 1982. Pp. 81–88 show Fukuda's work from 1946 to 1980.
Nihon kindai shashin no seiritsu to tenkai () / The Founding and Development of Modern Photography in Japan. Tokyo: Tokyo Museum of Photography, 1995. Plates 166 and 167 are of works by Fukuda.
Nihon no shashin: Uchinaru katachi, sotonaru katachi 2: Sengo shashin no hen'yō: 1945–80 () / Japanese Photography: Form In/Out 2: The Transformation of Photography in the Postwar Era: 1945–80. Tokyo: Tokyo Metropolitan Museum of Photography, 1996. Exhibition catalogue. A nude from 1946 is shown on p. 40.
Sengo shashin / Saisei to tenkai () / Twelve Photographers in Japan, 1945–55. Yamaguchi: Yamaguchi Prefectural Museum of Art, 1990. Despite the alternative title in English, almost exclusively in Japanese (although each of the twelve has a potted chronology in English). Pp. 82–92 show Fukuda's works from 1925 to 1965.
Shashinka wa nani o hyōgen shita ka: 1945–1960 (, What were photographers expressing? 1945–1960). Tokyo: Konica Plaza, 1991. Three postwar works and a potted chronology on pp. 48–49.
Notes
References
Hasegawa, Akira. "Psalm: Katsuji Fukuda." Afterword to Fukuda's book Shōka / Psalm.
Matsumoto Norihiko (), ed. Nihon no bijutsukan to shashin korekushon (, Japan's art galleries and photography collections). Kyoto: Tankōsha, 2002. .
Moriyama Tomoe (). "Fukuda Katsuji". Nihon shashinka jiten () / 328 Outstanding Japanese Photographers. Kyoto: Tankōsha, 2000. . P.267. Despite the English-language alternative title, all in Japanese.
Nihon no shashinka () / Biographic Dictionary of Japanese Photography. Tokyo: Nichigai Associates, 2005. . Pp. 347–49. Despite the English-language alternative title, all in Japanese.
Japanese photographers
People from Yamaguchi Prefecture
Writers on photographic techniques
1899 births
1991 deaths |
`` that must be king arthur 's horse ; it 's got a round saddle . '' |
she did n't hesitate , because eve had n't been kidding - that had been pure panic in her voice . |
as he got toward the bottom of the readings , jeffrey came to brain activity . |
when it wobbled to a stop they cut a lock of hair off whichever of them the blade was pointing at . |
in fact , i 'm having a hard time picturing a game that makes books fall open in the first place . |
her mother spoke up gently . |
without computers , they ca n't come back here , and nothing works up there . |
`` i know . '' |
its a cobalt viceroy . |
look , im sorry i attacked you , donna . |
what 'd you forget to tell me , huh ? '' |
'it 's going on five-thirty . |
`` i do n't keep cash around ever since the break-in . |
right then i only reached out my arms and clutched him as hard as i could . |
Congregation of the Sisters of the Immaculate Conception of the Blessed Virgin Mary (in Polish Siostry Niepokalanego Poczęcia Najświętszej Panny Maryi) are a female religious congregation di diritto pontificio: the members of this congregation add the initials CSIC to their name
History
The congregation was founded in Rome on November 25, 1857, by Marcelina Darowska (1827–1911) with the collaboration of Józefa Karska: Hieronim Kajsiewicz, co-founder of the Resurrectionist Congregation, drafted the first rule for the sisters, inspired by that of the Resurrectionist Congregation. On January 17, 1863, Pope Pius IX granted the foundress the right to move the headquarters of the congregation to Jazłowiec, Poland (archdiocese of Lviv).
The original rule was revised in 1872 by Darowska, which highlighted the specificities of the congregation. Pius IX granted the Sisters of the Immaculate Conception a decretum laudis on May 22, 1863, and approved the congregation on July 29, 1874.
The founder was beatified by John Paul II in 1996.
Activity and diffusion
The Sisters of the Immaculate Conception dedicate themselves to the Christian education of youth and to parish works.
In addition to Poland, they are present in Belarus and Ukraine: the headquarters are in Szymanów, in diocese of Łowicz.
As of December 31, 2005, the congregation had 225 nuns in 13 houses.
References
External links
The official site of CSIC (in polish)
Catholic religious institutes established in the 19th century
Catholic female orders and societies
Catholic teaching orders |
`` yeah . |
Rudolf Riedl (born 7 June 1907, date of death unknown) was an Austrian speed skater. He competed in four events at the 1928 Winter Olympics.
References
1907 births
Year of death missing
Austrian male speed skaters
Olympic speed skaters of Austria
Speed skaters at the 1928 Winter Olympics
Place of birth missing |
if the wind picked up , the flames would either ravage the forest in a matter of hours-or turn on him and catch him up in the fire he 'd started . |
`` i 'll come by your house soon . |
kendra asked . |
`` aw , come on , mike , '' said the guy in the football sweatshirt , taking a seat behind him . |
My Name Is Albert Ayler is a 2005 Swedish-American documentary film about the American Jazz musician Albert Ayler, written and directed by Kasper Collin.
It was produced and edited over a period of seven years (1998 to 2005) and among its participants are Donald Ayler, Edward Ayler, Carrie Roundtree, Ann Westerman, Sune Spångberg, Lionel Marshall, Bengt Frippe Nordström, Sunny Murray, Bernard Stollman, Gary Peacock, Michel Sampson, George Wein, Bill Folwell, Val Wilmer, Mutawef Shaheed, Mary Parks, Elliott Landy and Ed Michel.
It has been dubbed by JazzTimes as "one of the most starkly beautiful and moving documentaries ever made about a jazz musician" and is building on Albert Ayer's music and his voice from recorded interviews between 1963 and 1970.
The film met with mixed reviews when released in Sweden in 2005, but was praised by UK and US critics when theatrically released in those countries in 2007. Metacritic gives the film 83/100 based on reviews from 7 critics, and has awarded it the 19th best film from 2007. On Rotten Tomatoes the film has an approval rating of 94% based on reviews from 17 critics.
My Name Is Albert Ayler was director Kasper Collin's first feature documentary. The second was I Called Him Morgan.
References
External links
2007 films
Swedish films
Documentary films about jazz music and musicians
English-language films
Swedish documentary films
2000s documentary films
American documentary films
American films |
then he lifted a hand to my jaw and his thumb swept the skin under my bruise in a whisper soft touch that still caused a hint of pain that made my brows draw together in protest . |
`` no , no . |
`` does your silence mean you have n't set a date yet ? '' |
Joshua S. Weitz is an American biologist, currently a Professor at Georgia Tech, where he is the founding director of the Interdisciplinary Graduate Program in Quantitative Biosciences. In 2017, he was elected a Fellow of the American Association for the Advancement of Science.
Education
He earned his A.B at Princeton University in 1997 and his Ph.D. in physics at Massachusetts Institute of Technology in 2003.
Research
Weitz's interests are the dynamics and structure of complex biology systems. In particular, Joshua Weitz's research focuses on the quantitative evaluation of virus-host interactions. The quantitative edge that he brought to the field is summarized in the award winning book Quantitative Viral Ecology, which won the 2016 Postgraduate Textbook Prize awarded by the Royal Society of Biology.
While in graduate school, he co-authored a widely cited paper, Re-examination of the “3/4-law” of Metabolism, published in the Journal of Theoretical Biology. As a post-doctoral scholar, he published Coevolutionary arms races between bacteria and bacteriophage in the Proceedings of the National Academy of Sciences. His notable more recent publications include Statistical structure of host–phage interactions, PNAS (2011), Ocean viruses and their effects on microbial communities and biogeochemical cycles, F1000 Bio. Rep. (2012) Viral tagging reveals discrete populations in Synechococcus viral genome sequence space, Nature (2014), and An oscillating tragedy of the commons in replicator dynamics with game-environment feedback, PNAS (2016),
Other Activities
Weitz has published poetry, including a book of poems he wrote in college, Between Two Stones. He has also been politically active, writing in the Chronicle for Higher Education about advocating for science, and speaking at the Atlanta March for Science.
References
Year of birth missing (living people)
Living people
Fellows of the American Association for the Advancement of Science
Georgia Tech faculty
21st-century American biologists
Princeton University alumni
MIT Department of Physics alumni |
The Ricoh WG-30 is a rugged, waterproof digital compact camera announced by Ricoh on October 8, 2014. It is the successor of the Ricoh WG-20. The main advance is the backside-illuminated sensor that also increases resolution from 14 to 16 megapixels compared to the previous model. The rugged metrics have also increased, with now 40 feet rather than 33 feet of underwater depth tolerance advertised. As in the previous model, the WG-30 is shockproof to 1.5m (5ft), crushproof to 100kg (220lb) of force, and coldproof to -10 degrees Celsius (14 degrees Fahrenheit).
As of October 2014, the WG-30 is not available in the US, instead the WG-30W variant is sold there. It is expected to start shipping there in mid-December, with the WG-30 released in the UK in November.
The Ricoh WG-30W, in contrast to the WG-30, includes a Wi-Fi chip that allows the camera to be controlled wirelessly through a dedicated smartphone app.
References
http://www.dpreview.com/products/ricoh/compacts/ricoh_wg30/specifications
WG-30
Cameras introduced in 2014 |
he still looks like shit , his eyes bare cracks , but his mouth is set tight in a line . |
theirs is mine , and i would do nothing to take the food , shelter or clothing from my wife and children . |
two pints of anything good with chasers . |
`` he probably just wanted to tell him he was failing one of his classes . |
always . '' |
`` yes . |
take the back way . |
`` what are we looking for ? '' |
what 's the word ? '' |
susan cried out in pain . |
`` our flight was delayed . |
the crew wished that there had been enough electric goggles for one set each , and yet were grateful , in some animal way , that there was not . |
his fear of death was bringing him closer to it , he was wasting away . |
Edward Lawson "Barto" Bartlett (March 10, 1906 – December 21, 1976) was a West Indian cricketer who played in West Indies' inaugural Test tour of England in 1928.
He was born in Flint Hall, St. Michael, Barbados, and played first-class cricket as a batsman for Barbados from 1923-24 to 1938-39. His only first-class century was 109 against Nottinghamshire in 1928. His best Test score was 84 (in 119 minutes) against Australia in the First Test in 1930-31.
He died in St. Michael, Barbados, at the age of seventy. Wisden had erroneously reported his death in its 1934 edition. In his obituary in the 1978 edition, Wisden said of him that "he had strokes all round the wicket and, when he was making runs, his potentialities were obvious. It was sad that he could so seldom do justice to them." In his history of Barbados cricket, Bruce Hamilton said Bartlett was the "perfect stylist, fully equipped for batsmanship in the grand manner, with every quality except temperament".
In June 1988, 101 Barbadian 50c stamps were issued featuring the Barbados Cricket Buckle with a photograph of "Barto" Bartlett instead of Herman Griffith. These errors were issued through Parcel Post Office in Bridgetown. All other postal counters had their stocks recovered before 9am on Monday 6 June 1988 and the corrected 50c stamps depicting Griffith were issued on 11 July 1988. The 101 stamps that were issued featuring Bartlett are highly collectable.
References
External links
Barto Bartlett at Cricket Archive
1906 births
1976 deaths
West Indies Test cricketers
Barbadian cricketers
Barbados cricketers
People from Saint Michael, Barbados |
she was n't sure anything could sate her . |
the time of death is a parameter which we need for matching evidence with the individual killings , not one which is reliable in predicting when the next one will occur . |
`` you 're not to be arrested unless there 's evidence solid enough to bring you before the magistrate . |
my heart and stomach were vacillating between elation ( kinich tried to bind himself to me ) and terror ( i did n't know what would happen when i completed the ritual ) . |
she felt herself blush and silently cursed . |
he listened through the rest of her blocking . |
he was ! |
`` hey , cal . |
the leaves were carried up and past us in a sudden burst of sweet autumn wind . |
`` come to the library and have a glass of yarbarah with me , '' geoffrey said . |
elizabeth asked . |
he was really interested and the drive to know was almost enough to push him into asking , but he didnt want to offend the person who held his only way out . |
all i 've ever wanted was what 's best for you and lizzie , and if you 'd stop being so goddamned scared for once in your life , you 'd see that it 's christian ! '' |
hell , you could n't even injure them . |
would y'all stop doing that ? |
`` how long ago did his wife die ? '' |
that i was never going to do and that was never going to happen again . |
i have plenty of time to do that tomorrow . |
i hesitated , not really wanting to leave him , but then a small woman in a heavy coat came rushing over and took the man 's arm . |
this is just one of those hazards of working at home . |
a floor-to-ceiling shelf held a hodgepodge of books , knickknacks , and framed photographs . |
i arrived to an empty tennis department . |