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@@ -24,9 +24,6 @@ Teller testifies that he lacks confidence in Oppenheimer and recommends revocati
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  In 1963, President Lyndon B. Johnson presents Oppenheimer with the Enrico Fermi Award as a gesture of political rehabilitation. A flashback reveals Oppenheimer and Einstein's 1947 conversation never mentioned Strauss. Oppenheimer instead expressed his belief that they had indeed started a chain reaction—a nuclear arms race—that would one day destroy the world.
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  Cast
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- Actor Cillian Murphy at a press conference for The Party at the 67th Berlin International Film Festival in 2017
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- Portrait of J. Robert Oppenheimer, first director of Los Alamos National Laboratory.
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- Cillian Murphy plays J. Robert Oppenheimer.
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  Cillian Murphy as J. Robert Oppenheimer, a theoretical physicist and director of the Los Alamos National Laboratory.
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  Emily Blunt as Katherine "Kitty" Oppenheimer, Robert Oppenheimer's wife and a former Communist Party USA member.
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  Matt Damon as Gen. Leslie Groves, a United States Army Corps of Engineers (USACE) officer and director of the Manhattan Project.
@@ -102,14 +99,8 @@ Nolan ended up going to Universal because he had previously worked with Donna La
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  Writing
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  Nolan first became aware of Oppenheimer as a youth, after hearing the lyric "How can I save my little boy from Oppenheimer's deadly toy?" in the Sting song "Russians" (1985).[66] He was also inspired by his fears of nuclear holocaust throughout childhood, as he lived during the era of Campaign for Nuclear Disarmament (CND) and the anti-nuclear protests in RAF Greenham Common. He felt that "while our relationship with that [nuclear] fear has ebbed and flowed with time, the threat itself never actually went away", and felt the 2022 Russian invasion of Ukraine had caused a resurgence of nuclear anxiety.[55] Nolan had also penned a script for a biopic of Howard Hughes approximately during the time of production of Martin Scorsese's The Aviator (2004), which had given him insight on how to write a script regarding a person's life.[54] Emily Blunt described the Oppenheimer script as "emotional" and resembling that of a thriller, while also remarking that Nolan had "Trojan-Horsed a biopic into a thriller".[67]
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- Writer, director, and producer Christopher Nolan (left) and co-producers Emma Thomas and Charles Roven
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  Oppenheimer is the first screenplay written by Nolan in the first person, as he wanted the narrative to be conveyed from Oppenheimer's perspective. He described the "texture" of the film being "how the personal interacts with the historic and the geopolitical" with the intention of making it a cautionary tale.[54][68][69] He began developing the script after he completed Tenet and wrote it in only a few months; he had already been thinking about making a film about Oppenheimer for over 20 years.[54] A major plot element is Oppenheimer's response to the long-term consequences of his actions. Nolan wished to explore the phenomenon of delayed reactions, as he felt people are not "necessarily confronted with the strongest or worst elements of [their actions] in the moment".[66] He also chose to alternate between scenes in color and black-and-white to convey the story from both subjective and objective perspectives, respectively,[70] with most of Oppenheimer's view shown via the former, while the latter depicts a "more objective view of his story from a different character's point of view".[71][66] Wanting to make the film as subjective as possible, the production team decided to include visions of Oppenheimer's conceptions of the quantum world and waves of energy.[72] Nolan noted that while Oppenheimer never publicly apologized for his role in the atomic bombings of Hiroshima and Nagasaki, he still believed Oppenheimer had felt genuine guilt for his actions and thus portrayed him as exhibiting those feelings.[73]
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- I think of any character I've dealt with, Oppenheimer is by far the most ambiguous and paradoxical. Which, given that I've made three Batman films, is saying a lot.
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- — Christopher Nolan, Total Film[67]
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  Nolan began by trying to find the "thread that connected the quantum realm, the vibration of energy, and Oppenheimer's own personal journey" and sought to portray the difficulties in his life, particularly regarding his sex life.[55] As such, Nolan wanted to candidly portray his affair with Jean Tatlock. He also wanted to explore Tatlock's influence on Oppenheimer's life, since she was a Communist, which had "enormous ramifications for [Oppenheimer's] later life and his ultimate fate".[74] Nolan also sought to explore the relationship between Oppenheimer and Admiral Lewis Strauss, former chair of the US Atomic Energy Commission, having been inspired by the relationship between Mozart and Antonio Salieri as depicted in Amadeus (1984).[66]
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  Another critical moment of the film was the meeting in which President Harry S. Truman called Oppenheimer a "crybaby". Nolan wanted to convey the scene from Oppenheimer's perspective and felt it was a "massive moment of disillusion, a huge turning point [for Oppenheimer] in his approach to trying to deal with the consequences of what he'd been involved with", while also underscoring that it is a "huge shift in perception about the reality of Oppenheimer's perception".[54] He wanted to execute a quick tonal shift after the atomic bombings of Hiroshima and Nagasaki, desiring to go from the "highest triumphalism, the highest high, to the lowest low in the shortest amount of screen time possible".[69] For the ending, Nolan chose to make it intentionally vague to be open to interpretation and refrained from being didactic or conveying specific messages in his work. However, he did have the intention to present a "strong set of troubling reverberations at the end".[73]
@@ -137,9 +128,6 @@ Post-production
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  During post-production, editing was completed by Jennifer Lame, who had previously edited Tenet.[9] While inspecting the footage during editing, Nolan and Lame performed "character passes" to ensure all the characters were properly displayed on screen, due to the film having a faster pace than most traditional blockbusters.[66] Visual effects were handled by DNEG, which produced more than 100 VFX shots from more than 400 practically shot elements,[103] marking their eighth collaboration with Nolan. Andrew Jackson was the visual effects supervisor,[104] who stated that the film utilized mostly "invisible" visual effects through "'in-camera' special effects created on set".[105] Digital compositing was used for the Trinity scene to add multi-layers to the explosion which was shot in a multifaceted viewpoint.[106]
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  Music
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- Main article: Oppenheimer (soundtrack)
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- Ludwig Göransson composed the film's score.
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  Ludwig Göransson composed the score for the film, after doing so for Nolan's previous film, Tenet.[9] Göransson's score was featured in a trailer for the film on May 8, 2023.[107] It was also featured in the Universal Pictures exclusive five-minute Opening Look on July 13.[108][7] Nolan had advised him to use the violin for Oppenheimer's central theme in the film, with Göransson remarking that he had felt that it could go from "the most romantic, beautiful tone in a split second to neurotic and heart wrenching, horror sounds".[66]
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  Release
@@ -192,7 +180,6 @@ For IndieWire's annual critics poll, of which 158 critics and journalists from a
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  Oppenheimer was also praised by other filmmakers. Oliver Stone deemed the film "a classic, which I never believed could be made in this climate."[205] Paul Schrader called Oppenheimer, "the best, most important film of this century",[206] while Denis Villeneuve called it "a masterpiece".[207] Steven Soderbergh said of the film, "Oppenheimer is a real accomplishment. I read somewhere that Chris [Nolan] implied that this is the movie he's been building toward, and I think he's right. And I'm thrilled that it's a massive hit."[208]
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  Accuracy and omissions
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  While President Truman did have a portrait of José de San Martín, it did not arrive at the White House until October 29, 1946, more than a year after Truman's meeting with Oppenheimer.[209][210]
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  The film was noted for its accuracy, with some scenes being taken word-for-word out of the book or real life events.[211] Many of the changes are small embellishments or changes from real life. For example, Oppenheimer was not as excited about his discovery of black holes as shown in the film, since he did not know how significant it would become; the study was indeed released on the same day Germany invaded Poland, as shown in the film. During the Trinity test, Donald Hornig had his hand on the kill switch for a faster reaction time, not near it as depicted in the film. Truman did call Oppenheimer a "crybaby", but in a letter to Dean Acheson one year later, not immediately after meeting Oppenheimer.[211][212]
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@@ -204,5 +191,4 @@ Influence
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  The renewed attention to the site and associated nuclear testing encouraged the United States Congress to revise the Radiation Exposure Compensation Act (1990), which provided compensation programs for people affected by radiation and nuclear testing during the Cold War, known as "Downwinders" and primarily consisting of the Navajo Nation. The United States Senate approved amendments to accommodate additional services to people in New Mexico, but it has not passed through Congress as the House of Representatives had not yet debated its inclusion as part of the national defense bill for the 2024 fiscal year.[218]
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  Accolades
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- Main article: List of accolades received by Oppenheimer (film)
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  Oppenheimer became the first film since Richard Attenborough's Gandhi (1982), and the tenth film overall, to win five Golden Globe Awards, receiving Best Motion Picture – Drama, Best Director for Nolan, Best Actor – Motion Picture Drama for Murphy, Best Supporting Actor – Motion Picture for Downey, and Best Original Score for Göransson at the 81st edition.[219][220][221] The National Board of Review and the American Film Institute named Oppenheimer one of the top-ten films of 2023.[222][223] The film received nominations for 13 Critics' Choice Movie Awards (winning eight), 13 British Academy Film Awards, and 11 Saturn Awards,[224][225][226] while its score earned three nominations at the 66th Annual Grammy Awards.[227] It was shortlisted in three categories for the upcoming 96th Academy Awards.[228]
 
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  In 1963, President Lyndon B. Johnson presents Oppenheimer with the Enrico Fermi Award as a gesture of political rehabilitation. A flashback reveals Oppenheimer and Einstein's 1947 conversation never mentioned Strauss. Oppenheimer instead expressed his belief that they had indeed started a chain reaction—a nuclear arms race—that would one day destroy the world.
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  Cast
 
 
 
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  Cillian Murphy as J. Robert Oppenheimer, a theoretical physicist and director of the Los Alamos National Laboratory.
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  Emily Blunt as Katherine "Kitty" Oppenheimer, Robert Oppenheimer's wife and a former Communist Party USA member.
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  Matt Damon as Gen. Leslie Groves, a United States Army Corps of Engineers (USACE) officer and director of the Manhattan Project.
 
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  Writing
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  Nolan first became aware of Oppenheimer as a youth, after hearing the lyric "How can I save my little boy from Oppenheimer's deadly toy?" in the Sting song "Russians" (1985).[66] He was also inspired by his fears of nuclear holocaust throughout childhood, as he lived during the era of Campaign for Nuclear Disarmament (CND) and the anti-nuclear protests in RAF Greenham Common. He felt that "while our relationship with that [nuclear] fear has ebbed and flowed with time, the threat itself never actually went away", and felt the 2022 Russian invasion of Ukraine had caused a resurgence of nuclear anxiety.[55] Nolan had also penned a script for a biopic of Howard Hughes approximately during the time of production of Martin Scorsese's The Aviator (2004), which had given him insight on how to write a script regarding a person's life.[54] Emily Blunt described the Oppenheimer script as "emotional" and resembling that of a thriller, while also remarking that Nolan had "Trojan-Horsed a biopic into a thriller".[67]
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  Oppenheimer is the first screenplay written by Nolan in the first person, as he wanted the narrative to be conveyed from Oppenheimer's perspective. He described the "texture" of the film being "how the personal interacts with the historic and the geopolitical" with the intention of making it a cautionary tale.[54][68][69] He began developing the script after he completed Tenet and wrote it in only a few months; he had already been thinking about making a film about Oppenheimer for over 20 years.[54] A major plot element is Oppenheimer's response to the long-term consequences of his actions. Nolan wished to explore the phenomenon of delayed reactions, as he felt people are not "necessarily confronted with the strongest or worst elements of [their actions] in the moment".[66] He also chose to alternate between scenes in color and black-and-white to convey the story from both subjective and objective perspectives, respectively,[70] with most of Oppenheimer's view shown via the former, while the latter depicts a "more objective view of his story from a different character's point of view".[71][66] Wanting to make the film as subjective as possible, the production team decided to include visions of Oppenheimer's conceptions of the quantum world and waves of energy.[72] Nolan noted that while Oppenheimer never publicly apologized for his role in the atomic bombings of Hiroshima and Nagasaki, he still believed Oppenheimer had felt genuine guilt for his actions and thus portrayed him as exhibiting those feelings.[73]
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  Nolan began by trying to find the "thread that connected the quantum realm, the vibration of energy, and Oppenheimer's own personal journey" and sought to portray the difficulties in his life, particularly regarding his sex life.[55] As such, Nolan wanted to candidly portray his affair with Jean Tatlock. He also wanted to explore Tatlock's influence on Oppenheimer's life, since she was a Communist, which had "enormous ramifications for [Oppenheimer's] later life and his ultimate fate".[74] Nolan also sought to explore the relationship between Oppenheimer and Admiral Lewis Strauss, former chair of the US Atomic Energy Commission, having been inspired by the relationship between Mozart and Antonio Salieri as depicted in Amadeus (1984).[66]
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  Another critical moment of the film was the meeting in which President Harry S. Truman called Oppenheimer a "crybaby". Nolan wanted to convey the scene from Oppenheimer's perspective and felt it was a "massive moment of disillusion, a huge turning point [for Oppenheimer] in his approach to trying to deal with the consequences of what he'd been involved with", while also underscoring that it is a "huge shift in perception about the reality of Oppenheimer's perception".[54] He wanted to execute a quick tonal shift after the atomic bombings of Hiroshima and Nagasaki, desiring to go from the "highest triumphalism, the highest high, to the lowest low in the shortest amount of screen time possible".[69] For the ending, Nolan chose to make it intentionally vague to be open to interpretation and refrained from being didactic or conveying specific messages in his work. However, he did have the intention to present a "strong set of troubling reverberations at the end".[73]
 
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  During post-production, editing was completed by Jennifer Lame, who had previously edited Tenet.[9] While inspecting the footage during editing, Nolan and Lame performed "character passes" to ensure all the characters were properly displayed on screen, due to the film having a faster pace than most traditional blockbusters.[66] Visual effects were handled by DNEG, which produced more than 100 VFX shots from more than 400 practically shot elements,[103] marking their eighth collaboration with Nolan. Andrew Jackson was the visual effects supervisor,[104] who stated that the film utilized mostly "invisible" visual effects through "'in-camera' special effects created on set".[105] Digital compositing was used for the Trinity scene to add multi-layers to the explosion which was shot in a multifaceted viewpoint.[106]
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  Music
 
 
 
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  Ludwig Göransson composed the score for the film, after doing so for Nolan's previous film, Tenet.[9] Göransson's score was featured in a trailer for the film on May 8, 2023.[107] It was also featured in the Universal Pictures exclusive five-minute Opening Look on July 13.[108][7] Nolan had advised him to use the violin for Oppenheimer's central theme in the film, with Göransson remarking that he had felt that it could go from "the most romantic, beautiful tone in a split second to neurotic and heart wrenching, horror sounds".[66]
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  Release
 
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  Oppenheimer was also praised by other filmmakers. Oliver Stone deemed the film "a classic, which I never believed could be made in this climate."[205] Paul Schrader called Oppenheimer, "the best, most important film of this century",[206] while Denis Villeneuve called it "a masterpiece".[207] Steven Soderbergh said of the film, "Oppenheimer is a real accomplishment. I read somewhere that Chris [Nolan] implied that this is the movie he's been building toward, and I think he's right. And I'm thrilled that it's a massive hit."[208]
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  Accuracy and omissions
 
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  While President Truman did have a portrait of José de San Martín, it did not arrive at the White House until October 29, 1946, more than a year after Truman's meeting with Oppenheimer.[209][210]
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  The film was noted for its accuracy, with some scenes being taken word-for-word out of the book or real life events.[211] Many of the changes are small embellishments or changes from real life. For example, Oppenheimer was not as excited about his discovery of black holes as shown in the film, since he did not know how significant it would become; the study was indeed released on the same day Germany invaded Poland, as shown in the film. During the Trinity test, Donald Hornig had his hand on the kill switch for a faster reaction time, not near it as depicted in the film. Truman did call Oppenheimer a "crybaby", but in a letter to Dean Acheson one year later, not immediately after meeting Oppenheimer.[211][212]
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  The renewed attention to the site and associated nuclear testing encouraged the United States Congress to revise the Radiation Exposure Compensation Act (1990), which provided compensation programs for people affected by radiation and nuclear testing during the Cold War, known as "Downwinders" and primarily consisting of the Navajo Nation. The United States Senate approved amendments to accommodate additional services to people in New Mexico, but it has not passed through Congress as the House of Representatives had not yet debated its inclusion as part of the national defense bill for the 2024 fiscal year.[218]
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  Accolades
 
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  Oppenheimer became the first film since Richard Attenborough's Gandhi (1982), and the tenth film overall, to win five Golden Globe Awards, receiving Best Motion Picture – Drama, Best Director for Nolan, Best Actor – Motion Picture Drama for Murphy, Best Supporting Actor – Motion Picture for Downey, and Best Original Score for Göransson at the 81st edition.[219][220][221] The National Board of Review and the American Film Institute named Oppenheimer one of the top-ten films of 2023.[222][223] The film received nominations for 13 Critics' Choice Movie Awards (winning eight), 13 British Academy Film Awards, and 11 Saturn Awards,[224][225][226] while its score earned three nominations at the 66th Annual Grammy Awards.[227] It was shortlisted in three categories for the upcoming 96th Academy Awards.[228]